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W11 Children's Opera

Flying High - Performance Info
Flying High - Synopsis
W11 Children's Opera - Background
W11 Children's Opera - Past & Future

Flying High
1 December 2020
St James's Norlands Church (staged concert performance only)

8 and 9 December 2020
Linbury Studio Theatre.
Tickets available from the Box Office, Royal Opera House 0207 304 4000.
Flying High - Synopsis

The disused factory that ultimately makes way for the glittering awards ceremony are the contemporary settings of W11 Opera's commission for 2001, Flying High.

At the factory, the latest pop video is being made. Riggers, technicians, film crew and production teams assemble together with children for the bit parts. They will create the musical and visual package that will bring global fame to its star, Ava.

The ambitions of the aspiring rock band amongst the riggers releases the arguments about fame and fortune against the dull but secure regularity of the pay packet from an ordinary job. Cynicism with experience from the other professionals has little effect on the band whose inexperience has cost them nothing.

Meanwhile, Ava, increasingly critical of the material she has to sing abandons the recording altogether in frustration. Amidst the uproar and threats of bankruptcy and broken contracts, it is suddenly announced that the songwriter, a legend in his own lifetime, has arrived to watch the recording.

A dismayed silence accompanies the entry of an old man in a wheelchair. Ava leaves with her ex-boyfriend and former singing partner who has been urging her to make a new start with him. Her departure leaves an opening for the riggers. The awards ceremony will celebrate the few who will succeed and allow the rest to continue to dream.

 

W11 Children's Opera - Background

Unique amongst opera companies the W11 Opera Trust casts only school-age singers for each new opera it commissions every year. Entirely professionally produced, the performances are a stunningly unusual musical event.

No other opera company regularly commissions a world premiere specifically for a cast of this age-group. Nor has any otherbuilt a repertoire of such diverse music and themes.

Nearly three thousand teenagers and children have appeared in our productions to date and have helped to build the careers of Evelyn Glennie, Wayne Marshall and Saskia Wickham amongst others.

In March 2001 one of the regular cast members, James Gillies from Colet Court School was selected for the main role in the RSC's musical of The Secret Garden.

The cast has also been asked to provide the children's chorus for Carmen, the opening production of the 2001 Holland Park Opera Season.

In addition, W11 Opera also includes a small number of disadvantaged children in its cast and will waive the annual subscription when it is thought necessary.

In 2000 it initiated a community development programme by inviting other groups of adults or children to a performance, who for whatever reason, have been excluded from participation in and or enjoyment of the performing arts.

 

W11 Opera - Past & Future

The birth of W11 Opera W11
W11 Opera was founded by four string teachers in W11 with the conductor Nicholas Kraemer when they put on Britten's Noye's Fludde in 1971. The cast included 100 local children.

The exhilaration of that first production led to the development of the opera together with the vision and drive of both Timothy and Nicholas Kraemer. Regular commissioning began in 1972 when it became apparent that there was scarcely any repertoire for the 9-18 age group.

W11 Opera - current and future
Today the opera still pursues the policy of hiring a professional music and production team whilst retaining the original ethos of relying on skills and time given by parents.

A core team of administrators, all volunteers, plan productions and commission three years in advance. The scale of the opera together with a three month rehearsal period ensure a standard of performance which no one school can match within a normal timetable nor with resources.

The opera, a registered charity, costs £35,000 to put on and it not eligible either for Arts Council funding or for Lottery funding. Yet it has commissioned more operas since 1971 than any major opera company in the UK!

Two years ago, the high standard of the opera was finally rewarded by a booking at the Linbury Studio Theatre, Royal Opera House, for the 2001 commission by Graham Preskett and John Kane, Flying High.

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